Arriving a bit late at the gig, I almost missed the whole of the first act that was on, the solo artist Francis Conway. I made it just in time to hear the last two song of his acoustic set. They were absolutely amazing, and both were rather long so I can say I got a good picture of what Francis Conway sounds like.
Beth Jeans Houghton was up next. Last time I saw her live she was performing on her own, this time around she was joined by a drummer, ok he did not only play drums, he also was gifted for the piano. I am still very impressed by Beth’s good use of the loop pedals, they give her music the extra something that make is very special. It is going to be interesting to see where Beth is going to be in a couple of months time as she has just released a single and has a lot of new songs up her sleeve.
It was so hot in the Cumberland Arms that night that I seriously considered leaving as it made me really tired. I am happy, that I did stay around because Woodpigeon are a really good band that I would have regretted not seeing. This Canadian band had the characteristic of having many people on stage. As a consequence they had a lot of different instruments including a violin. The music was absolutely stunning. Everyone seemed to try to figure out what genre they belong to. “Unclassifiable” that’s most likely what they are, the music is a mix of eastern European folk and Abba, with elements of all sorts of musical styles. The fact that they are Canadians with many band members and a diverse selection of instruments makes them a bit Arcade Fire-ish. By any means if you have the chance to see Woodpigeon, you should definitely take it, as for them as well you can’t know where they will be in a bit.
Review by Solveig Werner
Thursday, 18 September 2008
Wednesday, 17 September 2008
The Little Ones at the Cluny 17/09/2008
Back in Newcastle for three days I had my first proper night out at the Cluny. The American band The Little Ones were playing supported by local acts Spies in Limbo, and New Vinyls.
First up it was the New Vinyls, over the summer this band has worked on a lot of new songs. I must say that they were really good. They are catchy and very different one from the other. For the song Polytechnic the lead singer leaves his guitar behind and dances on stage à la Jarvis Cocker. If you have the chance to catch New Vinyls live you should do so. Interaction with the public is another thing that characterizes this band. Surprisingly the Cluny was fuller than normally at the time of the first band. Maybe the word did spread that New Vinyls is a must see band.
Then it was Spies in Limbo’s turn to show what they’ve got. Nothing can be said against their music, because that was class. The atmosphere that was created by the previous band was carried on just there were no direct exchanges of words with the public. If they would have done that it could have been even better.
The Little Ones, probably most known for their song Lovers Who Uncover had a wide variety of songs on their set list. High, sweet voices, is what probably best describes the singing of this very particular band. They were a lot of fun to see perform. The Cluny must be a lot smaller than the venues they are used to, also a lot nicer. In a way they reminded me a bit of Vampire Weekend, the same style of music but a bit less quirky. All in all it was a great night back in the Toon.
Review by Solveig Werner
First up it was the New Vinyls, over the summer this band has worked on a lot of new songs. I must say that they were really good. They are catchy and very different one from the other. For the song Polytechnic the lead singer leaves his guitar behind and dances on stage à la Jarvis Cocker. If you have the chance to catch New Vinyls live you should do so. Interaction with the public is another thing that characterizes this band. Surprisingly the Cluny was fuller than normally at the time of the first band. Maybe the word did spread that New Vinyls is a must see band.
Then it was Spies in Limbo’s turn to show what they’ve got. Nothing can be said against their music, because that was class. The atmosphere that was created by the previous band was carried on just there were no direct exchanges of words with the public. If they would have done that it could have been even better.
The Little Ones, probably most known for their song Lovers Who Uncover had a wide variety of songs on their set list. High, sweet voices, is what probably best describes the singing of this very particular band. They were a lot of fun to see perform. The Cluny must be a lot smaller than the venues they are used to, also a lot nicer. In a way they reminded me a bit of Vampire Weekend, the same style of music but a bit less quirky. All in all it was a great night back in the Toon.
Review by Solveig Werner
Wednesday, 11 June 2008
Tokyo Police Club @ The Other Rooms 11/06/08
No they are not from Japan, they are from Canada, you should know this if you have been on wikipedia and have read about this band. Tokyo Police Club is a band with four rather young members. Three are 21 and one is 23, and they make music that is worth going down in rock history.For me this gig in Newcastle was the second time that I have seen them. I must say Tokyo Police Club or TPC have progressed loads since the 16th of February 2006. Elephant Shell their debut album was released this spring, providing fans with music that by far excelled the material found on the EP
(treated like and album, but not being one) A Lesson In Crime. But I am meant to write about the gig and not about their records. By now I am late writing about the gig, I am sorry about that, but sometimes I feel the need of these things settling in my memory before I produce them on paper.Dave, Graham, Greg and Josh were on their last week of a 61-gig tour, but they still had more energy than most bands have these days. Their music is ‘demanding’, I am not sure if it is the right word that should be used, it is different from the other things that are out there. Not only their music is different, the lyrics are different. It was really too bad that there was a problem with Dave’s microphone, so on a few songs his beautiful voice was drowned out by the instruments.
Your English Is Good and/or Tessellate and other songs had the whole of the public singing along. Some songs are there to be clapped to, in those cases the whole venue was clapping. There was no encore given by TPC, there was no need for one, the set was finished of in the certain harmony you want it to finish. If they would have played one more song they might have collapsed.TPC brought with them the newest New York revelation Mobius Band for the European part of the tour. For a couple of months I had known one of their songs Hallie and I thought that it would be cool to see them live. I did not think they would be coming to the UK any time soon (allow some pessimism) and well the last thing that I though was that they would be the support band for one of my favorite bands.These three Brooklyn natives are a rather geeky bunch they know how to charm their public. In the beginning of their set everyone in the crowd kept the ‘obligatory’ distance to the stage. Mobius (I permit myself to shorten it to that) did not seem to like it, one of them more or less told us off and said that we should be filling the space right in front of the stage.
I believe that with them it is interesting to see where they are going to be in a couple of weeks or months or years time. There is something very special about them, a momentum seems to be building up around them in the States, if the wave will hit Europe remains a yet unanswered question.A year ago or so Tokyo Police Club would play their gig with only 10 songs, all they had in stock back then. Now their set list is miles long written on a paper plate and not including every release they have had so far. I believe I might have gotten a bit carried away with this review, but good music can sometimes hardly be described in a couple of words.
Review by Solveig Werner
Friday, 30 May 2008
The Ting Tings
Salford duo, The Ting Tings have found themselves at the top of various ‘ones to watch out for in 2008’ tip lists. Whilst this obviously means generating a lot of hype this can also be a double edge sword as it means people who do turn up to your gigs will be expecting something special. Their sound is catchy, chart friendly indie-pop with much of the music appearing out of the ether via the magic of technology. Various loop machines give them a bigger sound and also give singer Katie White space to pout, clap, strut and yelp her way through their short but punchy 30 minute set.
Their set is full of indie dance floor gems and there are some fine hooks, particularly in the singles ‘That's Not My Name’ and ‘Great D.J’ which gets the arriving crowd toe tapping. The band confess they find it hard to come on first, especially after the party they put on in Manchester the previous night and although their party sound may suit a crowd already warmed by support acts they do a good job of getting the crowd going. It is not hard to imagine the Ting Tings putting on a good party, as the next act ‘Does It Offend You, Yeah’ vouch for, in the interview they talk of their wide range of music tastes and their love of eccentric D.J mixes, it is apparent that they have as much fun off stage as they do on it. On this evidence it seems the ting tings are a name to watch out for in 2008. Their infectious pop songs have rightly generated interest from big names (including Rick Rubin of all people) and on tonight’s showing look set to become regulars on dancefloors everywhere.
Review by Christian Allen
Their set is full of indie dance floor gems and there are some fine hooks, particularly in the singles ‘That's Not My Name’ and ‘Great D.J’ which gets the arriving crowd toe tapping. The band confess they find it hard to come on first, especially after the party they put on in Manchester the previous night and although their party sound may suit a crowd already warmed by support acts they do a good job of getting the crowd going. It is not hard to imagine the Ting Tings putting on a good party, as the next act ‘Does It Offend You, Yeah’ vouch for, in the interview they talk of their wide range of music tastes and their love of eccentric D.J mixes, it is apparent that they have as much fun off stage as they do on it. On this evidence it seems the ting tings are a name to watch out for in 2008. Their infectious pop songs have rightly generated interest from big names (including Rick Rubin of all people) and on tonight’s showing look set to become regulars on dancefloors everywhere.
Review by Christian Allen
Wednesday, 21 May 2008
Pull Tiger Tail @ Academy II 21/05/08
Having kept quiet for a while Pull Tiger Tail decided to go on a full UK tour right in the middle of exam time. It was announced shortly before it kicked off, the late notice is most likely the explanation for a mere 103 tickets being sold in advance. This London band had not been on tour for a while, and does not seem to have spend that much time in the studio either as the planned album still has not come out and they have been releasing single after single.
On that Wednesday night the top floor of the academy was filled with mostly 14 year-old girls, to my surprise there were a lot of boys in the same age group present as well. I felt rather old at 19. Pull Tiger Tail seem to be underrated as they themselves probably would prefer having a fan base that is not so narrowed down, and their music should appeal to more people anyways. On stage they have a lot of charisma, confidence and they know that they are good without turning into the arrogant rockstar, maybe because they are indie? They are good looking and have an impressive stage presence; in a way they are entertainers. Starting everything off with the mentioning of a haircut that they had given their lead singer earlier in the day. Jumping around and just having loads of fun and energy on stage seems to be their motto.
But the gig wasn’t all that much fun, there was a bizarre Newcastle band as the support. Coming in later that planned Deathcrew 92 shocked by not having a drummer. The drums where preformed by a computer plugged into the system the so called ‘drummer’ made sure the right drum track was being played. What made all of this worse was the fact that the drums appeared to be the most emphasized instrument this band had.
Even with the beginning of the gig being confusing and deceiving Pull Tiger Tail preformed great without deceiving one tiny bit. The future of the band is interesting as well. If they want to go back to Uni they would have to do it in September, which would put the band on hold for a year.
Review by Solveig Werner
On that Wednesday night the top floor of the academy was filled with mostly 14 year-old girls, to my surprise there were a lot of boys in the same age group present as well. I felt rather old at 19. Pull Tiger Tail seem to be underrated as they themselves probably would prefer having a fan base that is not so narrowed down, and their music should appeal to more people anyways. On stage they have a lot of charisma, confidence and they know that they are good without turning into the arrogant rockstar, maybe because they are indie? They are good looking and have an impressive stage presence; in a way they are entertainers. Starting everything off with the mentioning of a haircut that they had given their lead singer earlier in the day. Jumping around and just having loads of fun and energy on stage seems to be their motto.
But the gig wasn’t all that much fun, there was a bizarre Newcastle band as the support. Coming in later that planned Deathcrew 92 shocked by not having a drummer. The drums where preformed by a computer plugged into the system the so called ‘drummer’ made sure the right drum track was being played. What made all of this worse was the fact that the drums appeared to be the most emphasized instrument this band had.
Even with the beginning of the gig being confusing and deceiving Pull Tiger Tail preformed great without deceiving one tiny bit. The future of the band is interesting as well. If they want to go back to Uni they would have to do it in September, which would put the band on hold for a year.
Review by Solveig Werner
Saturday, 19 April 2008
Mystery Jets @ The Cluny 19/04/08
If someone says ‘Mystery Jets’ I say “Arrrggggghhhhhghghgh!!!!!” - this is a good 
reaction, by the way. I can safely say I had been looking forward to this gig for exactly a million years. One of my favourite bands in one of my favourite venues: YUM. And yummy it was, this mouth-watering evening started off with a nibbler from local lady Beth Jeans Houghton, think Regina Spektor with a dash of Laura Marling - delish. Dished up next were Little Comets, without expecting too much, these boys did more than pleasantly surprise; they blew my frickin’ socks off. Filled to the brim with scrummy, poppy, chantey, dance-y goodness; I wanted to order seconds.After appetisers like these I was greedy for more, Mystery Jets were my main course and desert rolled into one neat, tasty set. From the
sweet depths of their older tracks such as ‘Diamonds in the Dark’, to the juicy highlights of upcoming single ‘Two Doors Down’ they delighted and charmed the 350 capacity room. Having heard that previously the band invited a crowd member onstage to sing Laura Marling’s part in ‘Young Love’, I was slightly disappointed when Blaine sang the part himself and I was unable to display my amazing vocal talent! (Cough cough). As with most over 18 gigs the crowd were slightly reluctant to ‘jam out’, but with a ‘Zoo Time’ encore even the coolest of cucumbers couldn’t resist to burn a few musical calories.
Review by Marzena Dabrowska (photos by Solveig Werner)
reaction, by the way. I can safely say I had been looking forward to this gig for exactly a million years. One of my favourite bands in one of my favourite venues: YUM. And yummy it was, this mouth-watering evening started off with a nibbler from local lady Beth Jeans Houghton, think Regina Spektor with a dash of Laura Marling - delish. Dished up next were Little Comets, without expecting too much, these boys did more than pleasantly surprise; they blew my frickin’ socks off. Filled to the brim with scrummy, poppy, chantey, dance-y goodness; I wanted to order seconds.After appetisers like these I was greedy for more, Mystery Jets were my main course and desert rolled into one neat, tasty set. From the sweet depths of their older tracks such as ‘Diamonds in the Dark’, to the juicy highlights of upcoming single ‘Two Doors Down’ they delighted and charmed the 350 capacity room. Having heard that previously the band invited a crowd member onstage to sing Laura Marling’s part in ‘Young Love’, I was slightly disappointed when Blaine sang the part himself and I was unable to display my amazing vocal talent! (Cough cough). As with most over 18 gigs the crowd were slightly reluctant to ‘jam out’, but with a ‘Zoo Time’ encore even the coolest of cucumbers couldn’t resist to burn a few musical calories.Review by Marzena Dabrowska (photos by Solveig Werner)
Saturday, 5 April 2008
Elbow @ Carling Academy 05/04/08
Shortly after entering the Academy, at the excruciatingly early (in gig terms) time of 7.10pm, I find myself bombarded with the howling blues-rock of San Francisco’s Two Gallants. Comprised of guitarist and vocalist Adam, and rather feral-looking drummer Tyson, they are undoubtedly one of the most brilliant support acts I have seen for months, causing an instant, and surprisingly noisy, impact upon the not-quite-fully-assembled crowd. In what seems like no time at all however, they are off and Elbow’s crew are on to prepare for the main event.
Elbow are often seen as the ‘thinker’s alternative’ to bands like Snow Patrol and Coldplay. However, where these bands are bland and boring, Elbow are not only intelligent but, in performance, both sweepingly epic and riotous. Their astounding musicianship does not substitute, but constantly understates their superiority as life-affirming anthems pound through the PA. Opening with the orchestral pomp of ‘Starlings’, the band members enter to the tinkling arpeggios of a pre-recorded track, accompanied by an all-female string section, and pick up trumpets for a first, sharp blast of things to come. The fact that singer Guy Garvey’s trumpet is not amplified and is therefore merely for show simply adds to the audience’s amusement and appreciation of the effort of causing a spectacle. The Latino-flecked ‘The Bones of You’ is dispatched next, causing much dancing and spilling of drinks. Soon after this we are treated to a track that many would argue is Elbow’s best, the bluesy stomp-a-long of ‘Leaders of The Free World’. The uproar at the forefront of the crowd says it all as Guy Garvey’s astounding stage presence incites mayhem. He may look like a plumber, but it is this ‘bloke-from-Manchester’ quality that makes him so endearing. He is undoubtedly perfect for the presentation of such gorgeous music, leaning over the crowd with a huge grin on his face, swaying his arms and serenading his followers with his gruff, yet cherubic, voice. ‘Mirrorball’s floating piano line and yearning lyrics make it a heartbreaking precursor to the Zeppelin-esque guitar drive of recent single ‘Grounds for Divorce’, which in turn sharply contrasts with the expertly crafted ‘The Loneliness of a Tower Crane Driver’. All is going swimmingly, and during one of his many addresses to the crowd, Guy ponders upon the band’s recent duet with Sheffield crooner Richard Hawley. ‘We thought it was a shame that Richard couldn’t be here with us tonight’, he explains, ‘so…….here he is!’ and, as if by magic, Richard Hawley ambles on to the stage to mass applause for a rousing version of ‘The Fix’. A few songs later and the band are closing the set with a stunning organ-led seven-minute ‘Newborn’ from debut ‘Asleep In The Back’ and provoking a mass sing-a-long to the gospel-tinged ‘One Day Like This’, its uplifting strings and repeated refrain of ‘Throw those curtains wide, one day like this a year will see me right!’ continuing for what seems like forever without losing its majesty. All it would take for Elbow to cement their place as a special band in the hearts of many was a killer encore, and they did not disappoint. ‘Station Approach’, their ever-popular love letter to Manchester, shakes the venue, and as the band once more bring out Richard Hawley for the ultimate crowd-pleaser ‘Grace Under Pressure’ (which is ‘a bit Catholic’, according to Mr Garvey), everybody in the venue is left stunned and exhilarated. Bring on the festivals.
Review by Kate Edwards
Elbow are often seen as the ‘thinker’s alternative’ to bands like Snow Patrol and Coldplay. However, where these bands are bland and boring, Elbow are not only intelligent but, in performance, both sweepingly epic and riotous. Their astounding musicianship does not substitute, but constantly understates their superiority as life-affirming anthems pound through the PA. Opening with the orchestral pomp of ‘Starlings’, the band members enter to the tinkling arpeggios of a pre-recorded track, accompanied by an all-female string section, and pick up trumpets for a first, sharp blast of things to come. The fact that singer Guy Garvey’s trumpet is not amplified and is therefore merely for show simply adds to the audience’s amusement and appreciation of the effort of causing a spectacle. The Latino-flecked ‘The Bones of You’ is dispatched next, causing much dancing and spilling of drinks. Soon after this we are treated to a track that many would argue is Elbow’s best, the bluesy stomp-a-long of ‘Leaders of The Free World’. The uproar at the forefront of the crowd says it all as Guy Garvey’s astounding stage presence incites mayhem. He may look like a plumber, but it is this ‘bloke-from-Manchester’ quality that makes him so endearing. He is undoubtedly perfect for the presentation of such gorgeous music, leaning over the crowd with a huge grin on his face, swaying his arms and serenading his followers with his gruff, yet cherubic, voice. ‘Mirrorball’s floating piano line and yearning lyrics make it a heartbreaking precursor to the Zeppelin-esque guitar drive of recent single ‘Grounds for Divorce’, which in turn sharply contrasts with the expertly crafted ‘The Loneliness of a Tower Crane Driver’. All is going swimmingly, and during one of his many addresses to the crowd, Guy ponders upon the band’s recent duet with Sheffield crooner Richard Hawley. ‘We thought it was a shame that Richard couldn’t be here with us tonight’, he explains, ‘so…….here he is!’ and, as if by magic, Richard Hawley ambles on to the stage to mass applause for a rousing version of ‘The Fix’. A few songs later and the band are closing the set with a stunning organ-led seven-minute ‘Newborn’ from debut ‘Asleep In The Back’ and provoking a mass sing-a-long to the gospel-tinged ‘One Day Like This’, its uplifting strings and repeated refrain of ‘Throw those curtains wide, one day like this a year will see me right!’ continuing for what seems like forever without losing its majesty. All it would take for Elbow to cement their place as a special band in the hearts of many was a killer encore, and they did not disappoint. ‘Station Approach’, their ever-popular love letter to Manchester, shakes the venue, and as the band once more bring out Richard Hawley for the ultimate crowd-pleaser ‘Grace Under Pressure’ (which is ‘a bit Catholic’, according to Mr Garvey), everybody in the venue is left stunned and exhilarated. Bring on the festivals.
Review by Kate Edwards
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