Tuesday, 21 October 2008

Alphabeat @ The Basement 21/10/08





I was lucky enough to arrive at The Basement, just as the sextet got on stage, to start their sound checks. They began playing randomly, and within seconds, you could feel their energy filling the venue. Suddenly the sound check had turned into Eminem’s “Loose Yourself”, and all the crew as well as the band got into their best gangster mode. The atmosphere was relaxed, laidback but with a hint of giddy excitement for the show to come. After the sound check, it was time for an interview with Stine and Anders B, aka Lil Anders, in the humble quarters of Basement’s dressing room. To hear the interview click here.
After two excellent supports by the name of Pandering and the Gold Diggers and Das Pop, the show kicked off in best Alphabeat style with Troels the Alphabeater playing the rhythm to “Fantastic 6” on an empty stage. Once the crowd where all clapping along, the rest of the band entered beginning to play the intro, shortly followed by Stine and Anders SG, entering the stage just as the lyrics started. The crowd went wild, and the sold out venue were instantly jumping up and down.
Next was the Danish summer single, “GoGo” a brilliant song to dance to, which everybody in the venue did energetically. After which came the newest UK single “What is Happening”, which is out on November 24. This song really shows off the unique harmony of Stine and Anders SG’s voices, as well as their chemistry on stage. Next up was “A Message” a more low key song, sung beautifully by Stine, and the best known of the four songs played, which are not on either album.
When Alphabeat left the stage after “Touch me touching you”, the audience knew it wasn’t the end, and instantly began chanting “Fascination”. When Alphabeat re-entered almost whispering, The word is on your lips, a rapture spread amongst the crowd repeating the words over and over again religiously.
Through out the entire set the energy was incredible, not only from Alphabeat but from the whole audience, even the 40-something mums right at the back were dancing the whole time. There is no doubt that Alphabeat can not only deliver a good pop song, but an amazing live show, with interesting antidotes, new takes on their songs, a stage presence high above the norm, and an interaction with the audience which is formidable.
I was very impressed by their inquisitiveness in Newcastle and the university, and how eager they where to deliver a great show, even after having been on tour for so long. There is no doubt that Alphabeat are a unique group of very talented, intelligent, fun loving, down to earth individuals, spreading the joy of pop music to anyone who encounters them. They are a must see live act, for anyone looking for a good time.

Setlist:
1) Fantastic 6
2) Go Go
3) Do what you want
4) What is happening
5) A message
6) Hanging Tough
7) 10.000 nights
8) Rubber boots
9) Get Round
10) Boyfriend
11) Touch me touching you
12) Fascination

Words and photos by Emilia Flockhart

Das Pop @ Newcastle University Union


Even though Belgian band Das Pop was the support act for Alphabeat that night, they got a really good reception from the crowd. I’ve known about this band for a long time, and I was surprised to see that they’re playing so many relatively large gigs overseas now. It was obvious that most people came just to see Alphabeat that night, ranging from old people reliving their youth to young children, but all of them seemed to genuinely enjoy the happy tunes of Das Pop. In a sold out basement of the union the band got the audience to dance and clap along to their new songs such as ‘Underground’ and ‘Try Again’. It gets even better though; when singer Bent asked if they would come see the band again at their gig in February, the audience loudly cheered yes. Which I guess is the most positive reception you can get as band – not only does the crowd like your show, they even want to see you again!
Das Pop - unlike Alphabeat in my opinion - were the only band that night that seemed to make really enjoyable pop music without it becoming too cheesy or annoying. Also as a live band there really is nothing bad that can be said about them, even the vocals sounded like they should. During the last song of their set ‘Can’t get enough’ they asked the whole audience to sing along to it, which most of them actually did. The band enjoyed it, the audience enjoyed it, I enjoyed it, so all in all a successful evening! And hey if you didn’t like the music at least the bearded dungarees-wearing guitarist and dancing singer were fun to watch.

Review and images by Saskia van der Velde

Sunday, 19 October 2008

Natty @ The Academy

The Boss Sounds Festival is the UK’s biggest reggae festival so it is a must play event for any rising star of reggae, especially one promoting a new single. Natty is that man. When he is on stage dancing with his acoustic guitar and dreadlocks flailing it is easy to see why he some are hailing him as the new Bob Marley. Personally, I wouldn’t agree with this and I’m fairly sure Natty wouldn’t either.
He came in to the industry by being a tea boy then a studio engineer for various indie bands so there is no questioning his current place in the music world or the fact he was just below Easy Star All Stars in the bill to finish the festival.
When I met him earlier in the day, he had just come from a sold out show in Bristol and seemed pretty run down from working hard (or just unimpressed to meet a student radio DJ – you decide) but none of that came across on stage. The songs were all in perfect order adding sing-a-longs and introductions where necessary. His performance of Bedroom Eyes had everyone (myself included) singing it for the rest of the evening. Of course you would expect nothing less but on top of this Natty has a rare gift. He can make every single person in the crowd feel like he is looking at them and them alone. It makes his female fan base strong in numbers but weak at the knees. He has said himself that people struggle to place him in a genre but he’s also bright enough to know this only a good thing and the only place he really needs to be is on stage to prove his worth.
The best I can do to sum him up is quote a young man from Natty’s MySpace page. Callum tells us that his girlfriend has just left us and he is skint but he listens to Man Like I and “it reminds [him] of the wonderful summer [he] had that [Natty] was part of”. I don’t think any reggae fans are going to get too overexcited about him but some certainly will.

Review by Alec Falconer

Wednesday, 15 October 2008

NSR Session: The Maddisons

On the 15th of October 2008, The Maddisons played an exclusive gig for NSR in the Green Room. All photos by Solveig Werner.






The Maddisons @ HOKO 10

Four nervous-looking school boys arrive at the bar (on time), absently arranging their set, eyes darting around the room. As they take over the floor, the Southampton quartet come face to face with an almost sold-out crowd; close enough to knock a few drinks right out of their hands. Their set kicks off with a distinctive take on classic indie guitar riffs and a heavy thrashing at the drums, Hit The Nerve soon gets the heaving crowd tapping their feet and the band come alive. They scream into their microphones, smash around the bar like they own it and stand on anything nearby that looks remotely sturdy. I start to worry for the guitarist in particular as he almost head butts his own instrument in a flourish of Sundays Children, a song that the young band seem just about able to keep control of.

'Bittersweetness' slows things down next and the vocals shine. A meaningful and eerie growl into the microphone echoes of Artic Monkeys and Milburn, obvious influences to the edgy lyrics and catchy guitar solos. They are now unrecognisable, no longer are they the youngsters playing with their older brothers’ guitars, as they launch into their final song and new single The Witch the crowd hangs on their every word...even if their singers’ voice isn’t quite broken yet...I can only imagine The Maddisons will get bigger and better with age.

Review by Hannah Tomlinson

Hot Club de Paris

The Others Rooms has to get the award for the most clichéd gig venue in Newcastle. Based in the Centre of Life, its part of the ‘Digital Super-Club’, which isn’t a Super-club at all. Referencing it on the dictionary says its ‘Higher in Quality’. Doesn’t that mean that every posh club is one? Or is it a title branched out for places that believe that just because they have a ‘mixture’ of music they can brand themselves in such way? Anyway, it’s a little room on the top floor that has what Hot Club de Paris (hereafter mentioned as HCDP) called an outrage for not having draught. It doesn’t really attract the young at heart, and that was evident by the audience, a bunch of 30 year olds, and the occasional younger couple, obviously saving their parent’s cash for more fruitful events, such as world hunger.
Anyway, the support bands came on. The first one was a local instrumental 3-piece guitar and occasional trumpet band, but to make themselves ‘rebellious’ they had masks on. If they had focused more on the guitar playing (the trumpet was admittedly very good) then they would have been rather good indeed, instead they let it become too repetitive and not telling a story. But, they obviously had talent, and some good songs.
Sky Larkin a female led indie band from Leeds were next up. Female bands are harder to find than male bands, some get marooned in either the Screemo Yeah Yeah Yeah’s sound or the subtler singer songwriter sound of coffee bar girls that sound exactly the same as the other girl I saw previously. For all that (and I would like to say I’m not totally against female singers, I am listening to Feist at the moment), Sky Larkin were impressive. Playing mostly of their new album, they showed quite a developed sound, with some nice lyrics.
When HCDP finally came on at 10.15. Their set can probably best be described as having a pot of (in its loosest term, but as they are actually on an independent Indie Label) indie and a pot of punk, combined in precise quantities to produce punchy pop punk gems that are over before you have chance to catch your breath. Their influences of early punk such as Firehose and Minutemen are very apparent and their execution is sharp whilst perfecting the love for simple harmonies that has stormed the indie scene of late with little difficulty. The majority of the set focuses their latest album Live At Dead Lake with the ingeniously named I Wasn’t Being Heartless When I Said Your Favourite Song Lacked Heart and current single My Little Haunting but classics such as Sometimesitsbetternottostickbitsofeachotherineachother and Your Face Looks All Wrong also get some play time. HCDP have a talent for bouncing off the crowd and their banter provokes many an excited ‘YEAH’ whilst salutes of expensive beer bottles fill the room. An undeniably fantastic performance, let’s hope these guys get the credit they deserve.

Review by Izaac Carlisle 

Tuesday, 14 October 2008

Gabriella Cilmi @ The Carling Academy 14/10/08

My first encounter with Gabriella Cilmi, was after watching an advert for the new upside down Rexona deodorant, featuring Gabriella’s hit single Sweet About Me. I’m sure the reason for the advertisers choosing this song was the line “the world’s a better place when it’s upside down” although this does not feature in the ad. However it was not just her lyrics that made the song appeal to me, but her soothing sexy voice, combined with sounds from blues and jazz. I liked it so much, that I googled the lyrics from the ad and brought the song on iTunes. Over the summer, the single has been played repeatedly, and I became a bit fed up with it. I hadn’t heard anything else from Gabrielle Cilmi, so I was very excited to see what else she could offer, whilst playing live.
I arrived at the academy at 7pm, sorted out a photopass, got into place, and waited over an hour! for the first warm up to appear. It was a local guy doing an acoustic set with his guitar. It was nice, but nothing special, and definitely something the audience could have done without. After his 30minute set the second support came on. This was also an acoustic set with one guy and his guitar. He was called Liam Bailey, and although he was far more interesting than the first support, he still lacked originality. He was like Ben Harper meets Jason Mraz with a Jimmy Hendrix look. He was good, however he definitely did not want to be background music, and got more and more frustrated that the crowd were talking whilst he was playing, causing him to finish very abruptly, and almost arrogantly storming of stage, after his 45minute support set.
At 9:30, two and half hours after the show was supposed to start, Gabriella Cilmi and her band finally appeared on stage. It was clear from the moment she stepped out that she was a “rock chic”, with her black lace up boots, “bed hair look”, and diamond-studded microphone, although there was still definitely something sweet about her. After the first track she addressed the crowd, in her sexy Aussie accent and girlie giggle. They played a total of 13songs, including a beautiful heartfelt song about being homesick, and a groovy cover of Cry me a River.
The track that everybody had been waiting for, Sweet About Me, came after the 7th track, and was introduced by Gabriella encouraging everybody to get their phones and cameras out, ready to add to the thousands of other bootleg recordings of the track on YouTube. It was quite different from the rest of the more rock based set list, though perhaps the only one capable of being of a successful single. Gabriella and the band were playing it almost mockingly rocking from side to side, and allowing the audience to do most of the singing, which they gladly did. The set ended with Led Zeppelin’s A Whole Lotta Love, making clear where Gabriella’s true musical passions lie.I was very impressed by her stage presence, incredible voice, sassiness and maturity far beyond a girl who had only just turned 17, four days earlier. The chemistry in the band seemed really good, especially between Gabriella and the bass player Kali De Vaux, who slightly resembled Side Show Bob, with his big ginger dreads.
There is no doubt that she is a talented young musician, and gives a good show, however she needs to develop her own sound more. Sweet About Me is a great track, but combined with covers from artists such as Justin Timberlake and Led Zeppelin, it’s hard to define who Gabriella Cilmi is at the moment, other than a young girl with a passion for a wide variety of music.

Set list:
1) Sanctuary
2) Cigs & Lies
3) Awkward
4) Einstein5) Safer
6) Cry Me a River
7) Got No Place To Go
8) Sweet About Me
9) Echo Beach
10) Terrifying
11) Don’t Wanna Go To Bed
12) Save The Lies
Extra) Whole Lotta Love

For more information visit:

http://www.myspace.com/gabriellacilmi
http://www.myspace.com/kalidevaux
http://www.myspace.com/liambaileyuk

Words and photos by Emilia Flockhart